Due largely to the success of Game of Thrones and the rise of “binge watching”, TV shows have been gradually moving from the traditional standalone episode format (also known as “monster of the week”) in favour of serialised story arcs. Even series known for their standalone format- including Star Trek and South Park- have switched to arc-driven plotlines. But it really comes as a massive surprise that Power Rangers, the ORIGIN of the term “monster of the week”, is moving to a similar format beginning with the next series, Power Rangers Cosmic Fury.
Why am I surprised? Firstly, Power Rangers is a kids’ show. This isn’t to say kids’ shows CAN’T have story arcs because they can and have, but children don’t quite have the attention span of adults. I remember as a kid waiting all week for the next episode of a serial- I just couldn’t, especially if the previous episode had ended on a cliffhanger. One of the reasons I and so many other kids loved Power Rangers was that each episode gave us something new. Screenrant attempts to defend the change, but it just comes across as woolly. The author, Marcelo Leite, merely frames the change in light of other changes to the franchise with Cosmic Fury, offering no real insight to why he thinks that serialisation is better than standalone episodes. So what if the Ranger suits are specially created as opposed to being an adaptation of a Super Sentai costume? Doesn’t mean you have to change the format which made the show popular in the first place! That’s another thing kids aren’t too fond of- change.
Secondly, as I’ve mentioned, when Haim Saban set about to adapt the popular Japanese Super Sentai series for American audiences, he put the emphasis on action as opposed to story- just like the Japanese original. And this was what made the show so wildly popular for a few years. When he first sold the IP to Disney, they made very few changes to the product. He bought it back again, and then sold it to Hasbro, who are making these extreme severances with the past. The departure of Jason David Frank, who has made semiregular appearances for years (and of course was the star of the original Mighty Morphin’ series), early last year wasn’t the beginning of Hasbro’s changes, but it definitely wasn’t the end*. Most people watch action-themed shows for the action. Yes, Dragonball Z had a TON of long arcs but do you think the kids (and many adults) watching it cared about the plot?
There are many things that are possible within an episodic format which can’t be done convincingly in serialisation. All the great BBC comedies had standalone episodes, enabling the writers to try a different scenario every week. If they faced the same scenario for an entire series, the writing suffered because: 1. they couldn’t pack in as many jokes over the course of the series and 2. they would run out of ways to make jokes about the premise. I for one noticed a steep decline in the quality of Only Fools and Horses once the Del Boy/Raquel arc started. And many other viewers felt the same as it was axed shortly after Del became a dad, sometimes returning for Christmas with- wait for it- standalones! Well, a number of the Christmas specials were two- or three- parters, but that was all.
And another advantage of standalone episodes is if you choose to binge, you don’t have to watch the entire series in order. The early series of The Simpsons were so good you want to skip straight to your favourites. This can’t be done in a serialised series. In the later days of VHS, themed Simpsons tapes were top sellers, consisting of four different episodes from different series with a common theme. Again, this couldn’t be done if The Simpsons was an episodic show.
*There is a blind item on CDAN suggesting that JDF was fired for bullying, and that losing his job along with his divorce might have contributed to his suicide at the end of last year. However, this has yet to be verified.